Antonio Fernández Alvira
Huesca-based artist exploring the construction and meaning of images through sculptures and installations that analyze the ephemeral and symbolic.
Antonio Fernández Alvira, 1977, Huesca
The work of Antonio Fernández Alvira revolves around the construction processes and the meaning of the images that make up our environment. He analyzes and explores concepts such as representation and visual fraud, the fragility and ephemeral nature of our environment, or the creation of symbols, exploring in turn the mechanisms that allow all of this to be legitimized in the collective imagination. To do this, he takes architecture and its component elements as generators of a physical corpus, which together with experimentation with materials, serve to shape, through a processual and formal exploration, his sculptural and installation works. Throughout his various projects, he has delved into the binomial image and meaning, making use of tools such as fake and museum displays, also analyzing the weight of the academic in the configuration of our environment. The material and formal exploration, together with the fragmentation, the archaeological and the ruin, make up a common thread within his work, having made various pieces and architectural installations in materials such as paper (La Dernière Lueur and The last glow), or through resins, plaster, cement or metal (Elements for a speech). In his latest works (El fluir en lo fixed) the procedural and the purification of lines take center stage, making the architecture organic, configuring and modulating the spaces where it cohabits through colored walls and metal structures.
Available works
El fluir en lo fijado Antonio Fernández Alvira
Alpha mold plaster, pigments and metal structure 95 x 40 x 15 cm
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado
El fluir en lo fijado Antonio Fernández Alvira
Alfamolde plaster, pigments and metal structure Variable measures
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado
Partir de una potencia formal para palpitar como cuerpo Antonio Fernández Alvira
Plaster ceiling sheets, alpha mold plaster and iron structure 160 x 65cm
This work has been exhibited in the following exhibitions: Mixtape Vol1 Partir de una potencia formal para palpitar como cuerpo
Elementos para un discurso Antonio Fernández Alvira
Polyester resin filled with sand and pigments 58 x 10 x 6cm
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo
El fluir en lo fijado Antonio Fernández Alvira
Alpha mold plaster and pigments 65 x 20 x 15cm
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado
El fluir en lo fijado Antonio Fernández Alvira
Alpha mold plaster, pigments and metal structure 95 x 40 x 15cm
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado
El fluir en lo fijado Antonio Fernández Alvira
Alpha mold plaster and pigments Variable measures
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado
Elementos para un discurso Antonio Fernández Alvira
Metallic structure, technical sheets, acrylic resin, polyester resin, fiberglass, paraffin, mortar, plaster, cement and pigments 200 x 420 cm Price per module + folder with archaeological records
This work has been exhibited in the following exhibitions: El fluir en lo fijado
El fluir en lo fijado Antonio Fernández Alvira
Alpha mold plaster and pigments Variable measures
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado
El fluir en lo fijado Antonio Fernández Alvira
Alpha mold plaster and pigments 60 x 20 x 20 cm
This work has been exhibited in the following exhibitions: Partir de una potencia formal para palpitar como cuerpo El fluir en lo fijado