RAVVE is presented as another chapter of a fresh polyphony in which Borrás mixes digital altars, transhumanist ceremonies and characters from a curious indefinite Olympus. A rave of the future with a techno air but an ancestral background, which seems to celebrate the future through two priests of transhumanism but which, at the same time, seeks an impossible state of harmony and serenity. The result is a ritual meditation, dubbed a sound journey by Daniel vacas Peralta in Adaptasi Cycle and Mowa, alias Mit Borrás in his electronic side in Ravve, which connects technology, nature and aesthetics. We do not know in what dimension these beings exist, on the border where robots -dead and alive- are found outside of space, outside of time, as if they had surpassed the human state, the passage of time and the banal restrictions of the material, through a kind science and gentle progress.

But, as the subtitle says, they are 'ghosts of the future'. And there is something spectral, a shadow, a spirit that runs through Borrás' works, hidden behind a certain utopia of balance, kindness and harmony. Surely something similar to what Eric Sadin calls 'the superego of the 21st century', that artificial intelligence or that virtual reality that 'realizes the end of history, making a new world emerge, devoid of any friction and harshness, living in full agreement.