This Fucking Name
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Journey to Gethen
NFTs, short for Non Fungible Token, have suddenly appeared in our lives and have turned part of the art industry and beyond upside down. If we read the title of the exhibition “This Fucking Name” in acronym format (TFN) but in reverse (NFT), the resulting palindrome reveals the thematic essence of this exhibition and is presented as a declaration of intent in favor of analyzing this new crypto value from all angles. The intention is to turn its reading conceptually and formally on its head and that is why we present it not only as a virtual sample but also in physical format at the same time. Because it is up to us, the agents and the artists, who are responsible for giving meaning to the idea, finding a useful meaning and, above all, a real application and value. Ursula K. Le Guin wrote in 1969 a science fiction novel entitled "The Left Hand of Darkness" where Ai, the main character, travels to the planet Gethen with the aim of understanding its society and with the idea of establishing alliances. The work delves into the deep knowledge of its inhabitants and soon discovers, among other aspects, that people do not have a predetermined gender. Only at the moment of pairing can they transform their state that will allow them to become the sex that suits them. The message of the work is not so much to understand that an advanced society in which all beings are equal, can be more positive than another. The theme is to assess the importance of the ability to understand the Getherian way of life. This effort to get to know a different form of civilization is done through immersion in society, talking to its citizens, observing and living with them for a while. A dialogue that allows us to understand those who are different through empathy that forces us to break with preconceived ideas and be able to open up to new forms of relationship while questioning our own beliefs and values. This exhibition is intended as a trip to the planet of NFTs. A journey of discovery, of decoding a new language. A planet that is located in the virtual world or metaverse and that has a physical version reflected at the same time in the House of Chappaz Basement gallery. Because virtual support is not at odds with physical support: they are simply complementary media. What must be given value is in the work, be it in whatever format. Even being able to choose it in case one convinces us more than the other since they can coexist and can make sense in both worlds. Everything is possible on the planet of NFTs, even everything we can't even imagine. The rules are set by the creator and the virtual system in which they are framed. When Duchamp was experiencing "The Fourth Dimension" he was in a way becoming a pioneer in questioning what art really was. Why can't this consideration that in 1917 he proposed a urinal as an artistic object be the same that he now questions whether an animated gif displayed in a virtual environment can also be art? Time will end up shaping this statement but what is clear is that a new dimension of art is being generated and as pioneers we must open ourselves to new interpretations so as not to act like those who, in the mid-1950s, saw in that action a pointless nonsense. The pioneers have always played a primordial role in the history of art and it has been the viewer who has ended up giving value to what is in front of them at all times. In today's market, this fact alone should prevail over actions influenced by the economic value call and more recently the crypto-market. We are the critical observers who have the transforming power of art and we cannot close our eyes in front of a new window that is barely opening before us. Long live art, whatever form it takes. “METAHOUSE”, our virtual exhibition space: While shaping what will be the ultimate Meta-verse that brings all the virtual worlds together in an orderly way, we help to pacify the debate by creating a virtual space that replicates the values of House of Chappaz as a gallery. A space in which we extend the notion of home as a concept, extruding its shape to turn it into a functional exhibition space but without losing the warmth of being at home with your beloved family. MetaHouse is the name of the first space created by the gallery on the occasion of the first exhibition “Journey to Gethen” and it allows experiencing the collective work in a comfortable space that connects the mainland with the virtual sky.
GLOSSARY
NFT: A non-fungible token, or NFT, is a special type of cryptographic token that represents something unique. Non-fungible tokens are therefore not mutually interchangeable. This is in contrast to cryptocurrencies such as bitcoin, and many network or utility tokens which are fungible in nature. The four main characteristics of NFTs are that they are unique, indivisible, transferable and capable of proving their scarcity. Polygonal: The Polygon blockchain is faster and cheaper to transact than other blockchains, making it very attractive for decentralized finance applications. It is also the technology that registers the highest growth by users. Polygon is a fully decentralized blockchain network. MATICS is the cryptocurrency used by this blockchain system and the one used by the art.army platform with which works can be purchased. Metaverse: The metaverse or metauniverse (acronym for "meta-" 'beyond' and "universe") is a concept that denotes the next generation of the internet, describing an immersive and multi-sensory experience in the applied use of various devices and technological developments on the internet . The term comes from the science fiction novel Snow Crash, written by Neal Stephenson. The metaverse is generally composed of multiple shared and persistent three-dimensional virtual spaces linked to a perceived virtual universe. The virtual exhibition has been made possible thanks to art.army, a professional art trading platform. A digital space where you can enjoy this exhibition in an exclusive metaverse created especially for this occasion and where you can purchase the works through a cryptocurrency wallet that works with the Polygon (Matics) system. Visualize this exhibition at art.army Text by Oriol Armengou, House of Chappaz co-director Photos by Roberto Ruiz
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Available works
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Lyrebird Fito Conesa
HD Video Edition 1/3 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
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No Title (Lucrecia) Diego del Pozo Barriuso
3D Object Edition 1/3 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
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Fausto Andrew Roberts
HD Video Edition 1/5 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
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Perfect Deception Christto & Andrew
HD Video Ed. 1/3 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
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Parataxon-10 Momu & No Es
HD Video Edition 1/25 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
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I Am a Cliché Natacha Lesueur
HD Video Edition 1/3 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
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Orbit 4 Ovidi Benet
HD Video Edition 1/5 + PA
More information at art.army
This work has been exhibited in the following exhibitions: This Fucking Name
Artist exhibitions
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I'm the guide inside your sneakers Aggtelek
From February 10 to March 31, 2023
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Vocativo Fito Conesa
From September 14 to December 22, 2023
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The Day After Tomorrow Ovidi Benet,Joel Blanco,Mit Borrás,Pablo Durango
From April 14 to June 1, 2023
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Desiring Assemblages Carlos Sáez,Diego del Pozo Barriuso,Fito Conesa,Michael Roy,Anna Moreno,Carles Congost,Manu Arregui,Miguel Ángel Gaüeca,Álvaro Perdices,Brice Dellsperger,Cabello/Carceller,Francesc Ruiz,Itziar Barrio,James Bidgood,Juan Carlos Martínez,Lou Fauroux, Moisés Mahiques,Pepe Miralles,Pol Anglada,Rodrigo,Steven Arnold, Tom of Finland,weecolors
From June 7 to August 2, 2024
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Las Novias de Frankenstein Natacha Lesueur
From April 15 to September 10, 2022
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Necromancer (Part II) Andrew Roberts
From December 2 to January 27, 2023
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Man in the water! Ovidi Benet
From September 22 to November 24, 2023
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F.A.T.A.L. Momu & No Es
From December 10 to February 17, 2022
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Man in the water! Ovidi Benet
From January 19 to March 31, 2024
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Necromancer Andrew Roberts
From December 1 to February 17, 2023
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Mixtape Vol1 Christto & Andrew,Carlos Sáez,Antonio Fernández Alvira,Antoine et Manuel,Andrew Roberts,Aggtelek,Diego del Pozo Barriuso,Fito Conesa,Michael Roy,Mit Borrás,Momu & No Es,Natacha Lesueur,Ovidi Benet,Vicky Uslé,Octavi Serra,Sarah & Charles,Carmen Ortíz Blanco,Pablo Durango
From September 15 to November 25, 2022
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2022 Christto & Andrew
From June 10 to July 29, 2022
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Oído Odio Diego del Pozo Barriuso
From April 12 to June 14, 2024
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Oído Odio Diego del Pozo Barriuso
From September 23 to November 25, 2022
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Una Cruzada de Pasiones Ovidi Benet, Pepa Salazar,Ángeles Marco,Niño de Elche,Guillem Sarrià
From September 23 to November 26, 2021
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Contact / Together Again Antoine et Manuel,Diego del Pozo Barriuso,Fito Conesa,Michael Roy,Juan Hidalgo,David Wojnarowicz,Group Material,Kay Rosen,Lucia Egaña Rojas
From September 17 to January 7, 2022
Artist fairs
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SWAB Barcelona 2021 Aggtelek,Mit Borrás,Paco Chanivet, Claudia Dyboski
From October 7 to October 10, 2021
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SWAB Barcelona 2023 Ovidi Benet,Octavi Serra,Sarah & Charles,Anna Moreno
From October 5 to October 8, 2023
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ARCO Madrid 2022 Fito Conesa,Michael Roy,Natacha Lesueur,Carmen Ortíz Blanco
From February 23 to March 27, 2022
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ESTAMPA Madrid 2021 Ovidi Benet,Carmen Ortíz Blanco
From October 21 to October 24, 2021
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ART BRUSSELS 2022 Momu & No Es
From April 28 to May 1, 2022
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ARCO Madrid 2024 Antonio Fernández Alvira,Fito Conesa,Maurice Meewisse
From March 6 to March 10, 2024
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ARCO Madrid 2023 Momu & No Es,Vicky Uslé,Anna Moreno
From February 22 to February 26, 2023
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LOOP ART FAIR Barcelona 2023 Fito Conesa
From November 19 to November 21, 2023
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ART COLOGNE 2022 Momu & No Es
From November 16 to November 20, 2022
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